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MANY years ago, a girl named Cathy Dunn came with her family from Dublin, Ireland, to the Lower East Side of New York. Everything in the new country fascinated her: fireworks and el trains and stickball games, and the songs of peddlers calling out their wares in a dozen languages. She loved to watch the policeman go by on his horse and the hook and ladder come round the corner like a long red dragon. But more than anything else, she loved to watch Mr. Coletti, the monkey man.
Mr. Coletti came to Second Avenue once or twice a week with his monkey, Espresso, and his hand organ, a big box on a wooden leg, which tweedled and tootled out a super-confabulation of sounds.
Marc Levoy is a computer graphics researcher and Professor Emeritus of Computer Science and Electrical Engineering at Stanford University and a Distinguished Engineer at Google. He is noted for pioneering work in volume rendering, light fields, and computational photography. Levoy first studied computer graphics as an architecture student under Donald P. Greenberg at Cornell University. He received his B.Arch. in 1976 and M.S. in Architecture in 1978. He developed a 2D computer animation system as part of his studies, receiving the Charles Goodwin Sands Memorial Medal for this work. Greenberg and he suggested to Disney that they use computer graphics in producing animated films, but the idea was rejected by several of the Nine Old Men who were still active. Following this, they were able to convince Hanna-Barbera Productions to use their system for television animation. Despite initial opposition by animators, the system was successful in reducing labor costs and helping to save the company and was used until 1996. Levy worked as director of the Hanna-Barbera Animation Laboratory from 1980 to 1983.